Título | Irresistibly Advanced |
Agencia | The Monkeys |
Campaña | Irresistibly Advanced |
Anunciante | Audi |
Marca | Audi Q Range |
Fecha de primera difusión/publicación | 2020 / 8 |
Sector Empresarial | 4x4 |
Medio | Televisión |
Duración | |
Mercado | Estados Unidos |
Banda Sonora | Re-record of 'Strangers In The Night' |
Chief Marketing Officer (CMO) | Nikki Warburton |
Brand Marketing Manager | Andrew Younis |
Director de publicidad | Kit Bashford |
Director de publicidad | Mick Colgan |
Responsable de la creación | Scott Nowell |
Director creativo | Scott Dettrick |
Responsable de conceptos / redactor | Harry Boothman |
Responsable de conceptos / redactor | Bart Pawlak |
Director artístico | Joash Tham |
Director artístico | Simon Cox |
Diseñador | Mel Watson |
Responsable de la producción | Penny Brown |
Agency TV Producer | Kaija Wall |
Integrated Producer | Tanith Williamson |
Managing Director | Matthew Michael |
Group Account Director | Shannon Duhig |
CONTENT MANAGER | Ruth Peck |
Business Strategy Director | Kit Landsdel |
Productora | Sweetshop |
Realizador | Noah Marshall |
Realizador | Nick Kelly |
Director de fotografía | Stefan Duscio |
Productor ejecutivo | Llew Griffiths |
Managing Director | Edward Pontifex |
Casting | Mullinars Casting Sydney |
Montaje | The Editors Sydney |
Montador | Tim Mauger |
Artista / Dibujante | Stuart Cadzow |
Colorista | Tom Poole |
Colorization | Company 3 |
Productor ejecutivo | Alistair Pratten |
Music Licensing | Turning Studios |
Compositor de música | Elliot Wheeler |
Music Producer | Carla de Menezes Ribeiro |
Mix Company | Song Zu |
Mix Producer | Katrina Aquilia |
Sound Engineer | Simon Kane |
Music Publishing | Level Two Music |
Music Publishing | Universal Music |
Productora | Flint |
Fotógrafo | Andreas Smetana |
Photography production | Tim Berriman |
Photography Retoucher | Cream Electric Art |
Production Partner | Adam Johnson Design |
Director creativo | Adam Johnson |