Título | It Has To Stop |
Agencia | LG2 |
Campaña | It Has To Stop |
Anunciante | Société de l'assurance automobile du Québec (SAAQ) |
Marca | SAAQ |
Fecha de primera difusión/publicación | 2020 / 1 |
Sector Empresarial | Seguros |
Filosofía | The intriguing cinematic piece uses stunt performers and impactful photography to recreate brutal collisions that occur when drivers become distracted. Creating a unique campaign out of a sadly common situation, the film highlights how one deadly mistake can trigger an infinite loop of disasters. Mixing a range of techniques, the campaign was shot entirely through still images. Wanting to explore an entirely new direction, director Olivier chose not to shoot in a traditional high frame rate, instead recording a large amount of detail in each photographed frame. To push the loop of accidents into infinity, he kept the layers of story independent with a mix of photography, CGI, traditional retouching, composition, and 3D mapping. |
Medio | Web Film |
Duración | |
Creative Vice President | Luc DuSault |
Director artístico | Vincent Bernard |
Director artístico | Jean Lafreniére |
Responsable de conceptos / redactor | Andrée-Anne Hallé |
Director de cuentas | Alexandra Laverdière |
Responsable de cuentas de agencia | Camille Savard |
Media Agency | Touché! phd |
Realizador | Olivier Staub |
Director de fotografía | Olivier Staub |
Productora | Great Guns USA |
Productor | Frederick Quintal |
Sonido | Sylvain Roux |
Sonido | Boulevard |
Photography / Retoucher | Visual Box |
Animación | Jean Marc Laurin |
Visual Packaging | Shed |
Animación | Shed |