Título | The Chase |
Agencia | adam&eveDDB |
Campaña | The Chase |
Anunciante | Camelot Group |
Marca | The National Lottery |
Fecha de primera difusión/publicación | 2022 / 6 |
Sector Empresarial | Lotería y juegos de azar |
Medio | Interactivo |
Duración | |
Audio Post Production | 750mph |
Group Executive Creative Director | Ben Tollett |
Director creativo | Mark Lewis |
Director creativo | Matt Fitch |
Social Creative | Matthew Osbourne |
Social Creative | Judith Tulkens |
Productor | Mary Fostiropoulos |
Productor | Clio McLeary |
Productor | Panos Louca |
Assistant Producer | Giulia Mereu |
Productora | Arts & Sciences |
Directors | THE BOBBSEY TWINS FROM HOMICIDE |
DP | Alex Barber |
Productor | Emma Butterworth |
Partner/Executive Producer | James Bland |
Director de producción | Julia Guignabel |
Jefe de decorados | Chris Oddy |
Costume | Lucy Hagan |
B-unit Director | Frank Atlantic |
B-unit Producer | Lauren Highman |
Hero casting | Ali Fearnley |
Montaje | Stitch |
Montador | Leo King |
Montador | Max Windows |
Postproducción | Black Kite Studios |
Shoot Supervisor | Tito Fernandes |
VFX Supervisor | Paul Wilmot |
CG Lead | James Hansell |
Colorista | George Kyriacou |
B-unit Flame Lead | Mark Stannard |
Post-production Producer | Phil Whalley |
Sound Engineer | Sam Ashwell |
Sound Engineer | Jake Ashwell |
Audio Producer | Martin Critchley |
Audio Producer | Olivia Ray |
Música | Theodore music |
Music Supervision | Tom Stanford |