| Título | Day After |
| Agencia | Absolute |
| Campaña | New York City Marathon 2010 |
| Anunciante | New York Road Runners |
| Marca | New York Road Runners |
| Fecha de primera difusión/publicación | 2010 / 11 |
| Sector Empresarial | Ferias, eventos y festivales |
| Filosofía | Flashing forward post-marathon, Day After follows various New York runners heading back to work with geriatric-like stiffness from the race. The intimate yet hilarious spot freezes the frame on runners during moments of physical limitation-- struggling to put jeans on, walking down stoop stairs backwards, getting into cabs with legs outstretched, hobbling down hallways at work, maneuvering through subway turnstiles and just barely making the closing elevator doors- as a stop clock simultaneously appears above their heads, gloriously displaying their names and their final times. |
| Medio | Televisión |
| Banda Sonora | A Good Day for a Jog |
| Telecine | Absolute Post |
| Efectos especiales | Absolute Post |
| Montaje | Peepshow Post Productions |
| Empresa de creación sonora | T. Terressa Tate |
| Empresa de creación sonora | The Royal T Room |
| Productor ejecutivo | Michelle Curran |
| Compositor de música | Soundmakers |
| Música | Amber Music |
| Colorista | James Cornwell |
| Productor | John Skeffington |
| Productor ejecutivo | Sally Heath |
| Artista / Dibujante | James Cornwell |
| Productor ejecutivo | deborah sullivan |
| Montador | Richard Mettle |
| Productor | Claire Pacacha |
| Director de fotografía | Derek McKane |
| Realizador | Paul Riccio |
| Productora | Sandwick Media |
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