|Título||TOTAL WAR: Three Kingdoms Yellow Turban Rebellion|
|Campaña||Yellow Turban Rebellion|
|Anunciante||TOTAL WAR: Three Kingdoms|
|Marca||TOTAL WAR: Three Kingdoms|
|Fecha de primera difusión/publicación|
|Sector Empresarial||Consolas de videojuegos|
|Sinopsis|| Once again the collaboration with Creative Assembly has succeeded. Our latest “Total War: Three Kingdoms – Yellow Turban Rebellion” cinematic is a story harmonizing Ancient China with the modern message.|
Viewers step into the times, when Yellow Turban Rebellion took hundreds of people to fight against the tyranny. We were tasked to tell the story and no one would do it better than the Platige Entertainment team with Kamil Pohl as the director and Łukasz Nowicki as the art director.
The ink and the traditional art of calligraphy seemed the most expressive and the most plastic theme invoking the distant history of China. What’s more, it provides wondrous and picturesque effect.
We took advantage of the spilling ink technique while working on the previous “Total War: Three Kingdoms” cinematic. This time we had to modify the tool for two reasons. Firstly, as the name of the game subtitle suggests, the visual characteristic is yellow. Secondly, the camera does not slow down – speeding up dynamically it pulls a viewer into the journey through history.
Besides adapting the tool, our artist had to face one more challenge. In less than month we had to write a new script, make 15 complex shots and create the whole film set. We manage to change the difficulties into challenges, and challenges into success. Now we would like to invite you for the show which will take you 2000 years backwards.
|Productor ejecutivo||Piotr Prokop|
|Director artístico||Łukasz Nowicki|
|Director de proyectos||Sylwia Bujno|
|Head of CG||Rafał Sadowy|
|Compositing Lead||Michał Bereś|
|Compositing Artist||Adrian Bałtowski|
|Compositing Artist||Adam Rosłanowski|
|Compositing Artist||Jarosław Kapuściński|
|3D Generalists||Bartosz Sławiński|
|Layout Artist||Bartosz Sławiński|
|Matte Painting||Grzegorz Przybyś|
|Matte Painting||Michał Niewiara|
|Matte Painting||Bartosz Dłużewski|
|Matte Painting||Łukasz Nowicki|
|Matte Painting||Division 48|
|Chief Technology Officer||Tomasz Kruszona|
|Lead Tech Pipeline Director||Jarosław Zawiśliński|
|Tech Pipeline Director||Łukasz Dąbała|
|Tech Pipeline Director||Witold Duraj|
|Tech Pipeline Director||Adrian Krupa|
|Tech Pipeline Director||Tomasz Kurgan|
|Tech Pipeline Director||Maksim Kuzubov|
|Tech Pipeline Director||Sergii Nazarenko|
|Lead Render Wrangler||Rafał Wójcikowski|
|Render Wrangler||Kamil Boryczko|
|Render Wrangler||Marcin Jóźwiak|
|Render Wrangler||Piotr Szczepaniak|
|Head of IT||Piotr Getka|
In 2017, Murphy stepped into the position of creative director, t...
Adrian started at Saatchi and Saatchi before moving to BBH where...
Greg began his career as a writer in Los Angeles before moving on...
Suñol comes from Bassat Ogilvy in Madrid, where he was Executive...
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Specialties: Production of digital, print, outdoor, POP, collater...