Título | Desligue o Automático - Turn off the automatic |
Agencia | Tech and Soul |
Campaña | Turn off the automatic |
Anunciante | São Paulo Art Biennial |
Marca | São Paulo Art Biennial |
Fecha de primera difusión/publicación | 2018 / 9 |
Sector Empresarial | Instituciones/Organizaciones no gubernamentales |
Filosofía | Algorithms have become so present in people's lives that they can influence hundreds of our decisions every day without even being noticed. With eyes fixed on smartphones, desktops, TVs, and other screens, people are impacted by mathematical formulas that help to create a strange pattern about movies or shows they watch, products they buy, and even some behaviors. Facing this sick scenario, how about to get out of the bubble? In its 33th edition, the São Paulo Art Biennial – which takes place in the biggest city in Brazil until December 9, with free admission – invites you to reflect through the campaign "Turn off the automatic", created by Tech and Soul agency. Planned since March, the communication presents a film of great impact, with exhibition in prime time of TV; several pieces for print and out-of-home media; and geolocation strategy for those who are close to the event. The main goal is to show people that by going to the Biennial, they will "turn off the automatic" after get inspired by seeing new things and broaden their horizons. In the end, they will regain the ability to decide for themselves, and not for data or technology, if they like something or not. The "Turn off the Automatic" campaign film works with the tension of people "dominated" by the screens of their phones, instead of paying attention to their family during dinner, or to the way while driving their cars. The soundtrack emerges as a creative aspect that reinforces the power of technology and algorithms over those who are "in the bubble." In the end, calm images of the Biennial environment make a counterpoint and arouse interest in the event. With broken smartphone screens as background, print and OOH ads bring messages that ask people to reflect about common habits by visiting the Biennial. In addition, platforms such as Waze, Facebook and Instagram compose a form of communication based on geolocation and algorithm intelligence, inviting people near Biennial – which takes place at the Ciccillo Matarazzo Pavilion, in Ibirapuera Park – to visit the greatest event of arts in Brazil. |
Medio | Televisión |
Duración | |
Director creativo | Flavio Waiteman |
Director artístico | Guga Dias da Costa |
Director artístico | Paulo Ottaviani |
Responsable de conceptos / redactor | Flavio Waiteman |
Responsable de conceptos / redactor | Filippe Pacheco |
Responsable de conceptos / redactor | Fernando Souza |
Responsable de conceptos / redactor | Paulo Maia |
Account | Claudio Kalim |
Account | Fernando Amino |
Account | Manuela Papa |
Media | Luis Monteleone |
Media | Luiz Gustavo Vieira |
RTV | Oswaldo Zanetti |
Production | Rogerio Gonçalves |
Client Approval | Luciana Guimarães |
Client Approval | Felipe Taboada |
Client Approval | Caroline Carrion |
Production Company | Zeppelin Filmes |
Productor ejecutivo | Ricardo Baptista da Silva |
Film Director | Robert Orlich |
Director de fotografía | Robert Orlich |
Production Director | Guilherme Andrade |
Film's Art Director | Cacá Montagnana |
Color | Psycho n’look |
Production Effects | Bóson Post |
Audio Production | Jamute |
Audio Producer | James Pinto |
Audio Producer | Eliezer Borges e Leck Gomes |