| Título | Obsession For Smoothness |
| Agencia | Six Tokyo |
| Campaña | Obsession For Smoothness |
| Anunciante | Double A |
| Marca | Double A |
| Posted | Marzo 2018 |
| Sector Empresarial | Otros |
| Sinopsis | Double A Paper has partnered with alternative rock band, OK GO, to create another of the band's eye-catching and creative music videos. For OK GO's latest music video "Obsession" Double A demonstrates a new approach in reaching out to a new generation of target groups using the universal appeal of music and OK GO's fearless creativity to channel the brand's more fresh and fun image. OK GO selected "Obsession" for this special collaboration. The smoothness that allows jam-free printing is the heart and soul of this "World's First Paper Mapping" project and Double A proved its finesse all through the 5 days of continuous shooting. Japanese creative agency Six Tokyo is behind the creation of this music video. |
| Medio | Case Study |
| Duración | |
| Production | AOI Pro. Inc. |
| Director | Yusuke Tanaka |
| Director | Damian Kulash Jr. |
| Director ejecutivo de creación | Takeshi Nozoe |
| Creative Director | Jin Saito |
| Director artístico | Kentaro Harano |
| DoP | Makoto Okuguchi |
| Planner | Tsubasa Oyagi |
| Movie Planner | Jun Hatano |
| Brand Agency | SPA-HAKUHODO Tokyo |
| Account Team | Masato Saito |
| Account Team | Teruhisa Ito |
| Account Team | Thanthip Uraipriwan |
| Account Team | Yuki Sudo |
| Account Team | Piraorn Saereesithipitak |
| Account Team | Yuwanda Mankhongdamrongiu |
| Operation Support | Bovornpan Kristhong |
| Operation Support | Chanin Ruengsangnateetip |
| Technical Team | Rhizomatiks Research |
| Planning | Daito Manabe |
| Technical Direction | Daito Manabe |
| Software Design | Daito Manabe |
| Software Engineering | Daito Manabe |
| System Design | Motoi Ishibashi |
| Circuit Design | Motoi Ishibashi |
| Technical Direction | Motoi Ishibashi |
| Software Engineering | Satoshi Horii |
| Software Engineering | Yusuke Tomoto |
| Software Engineering | Shintaro Kamijo |
| Software Engineering | Sadam Fujioka |
| Hardware Engineering | Youichi Sakamoto |
| Hardware Engineering | Toshitaka Mochizuki |
| Hardware Engineering | Yuta Asai |
| Hardware Engineering | Saki Ishikawa |
| Hardware Engineering | Kyohei Mouri |
| Simulator production | Setsuya Kurotaki |
| Simulator production | Sadakazu Kato |
| Producer | Hidenori Chiba |
| Assistant Producer | Ichiro Mishima |
| Choreographer | MIKIKO |
| Assistant-Choreographer | Marimo |
| Assistant-Choreographer | Non |
| Assistant-Choreographer | Erisa |
| Assistant-Choreographer | Saya |
| Assistant-Choreographer | Kaori |
| Assistant-Choreographer | Kazune |
| Assistant-Choreographer | Kohmen |
| Assistant-Choreographer | Maru |
| Assistant-Choreographer | Mayumi |
| Assistant-Choreographer | Yuka |
| Assistant-Choreographer | Aya |
| Assistant-Choreographer | Ayane |
| Assistant-Choreographer | Tomo |
| Gaffer | Takeshi Tomasu |
| Assistant-Director | Hideaki Jinbo |
| Wardrobe | Shinichi Miter |
| Hair & Make Up Artist | Minako Suzuki |
| Hair & Make Up Artist | Ayaka Tsutsumi |
| 1st AC | Kei Fujita |
| Camera Assistant | Erika Shimizu |
| Camera Assistant | Tomoya Ishizaki |
| DIT | Taito Oyama |
| Best Boy | Ryuta Murakami |
| Lighting Crew | Taiki Kishimoto |
| Lighting Crew | Yuka Sato |
| Lighting Crew | Susumu Tanaka |
| Lighting Crew | Motohiro Kobayashi |
| Lighting Crew | Takaori Kidokoro |
| Lighting Crew | Yusuke Fujii |
| Lighting Crew | Hiroshi Kumai |
| Lighting Crew | Masaru Oyamada |
| Lighting Crew | Hisanori Yamai |
| Lighting Crew | Shintaro Sekiguchi |
| Lighting Crew | Shota Moriuchi |
| Lighting Crew | Makoto Kashiwakura |
| Lighting Crew | Kouji Yano |
| Motion Control | Kanno Yukimitsu |
| Motion Control | Takashi Yabuki |
| Motion Control | Jun Ikeuchi |
| Motion Control | Ryo Inmiya |
| Motion Control | Yoshihisa Hagi |
| Motion Control | Eiji Kamomiya |
| GRIP | Takashi Taniguchi |
| GRIP | Maki Saito |
| Action Coordinator | Tomoaki Kawasumi |
| Special Effect | Isamu Terakado |
| Producer | Kazuhisa Yoshimoto |
| Producer | Sho Murakami |
| Camera | Tomonori Taniguchi |
| Visual Effects Supervisor | Shunsuke Kakuuchi |
| Previsualization | Hiromitsu Sunaga |
| Previsualization | Yoshinori Numazawa |
| Previsualization | Masaki Ishii |
| Previsualization | Yoshifumi Ikoma |
| Previsualization | Akira Iio |
| Previsualization | Akira Miwa |
| Previsualization | Kohki Okuyama |
| Previsualization | Go Aoyama |
| Diseñador gráfico | Karan Singh |
| Offline Editor | Takeaki Harada |
| Colorista | Yasutaka Ishihara |
| Online Editor | Tomoko Kanazono |
| Online Editor | Toshinori Koike |
| Online Editor | Azusa Katsumata |
| Online Editor | Atsushi Nishimura |
| Online Editor | Hiroyuki Sai |
| Online Editor | Tatsuhiro Noguchi |
| Online Editor | Yu Nagase |
| Online Editor | Kenji Sakaide |
| Roto Artist | Annex Digital, Inc. |
| Sound Engineer | Toru Nakano |
| Sound Engineer | Taro Ito |
| International Producer | Shoko Akutagawa |
| Producer | Keisuke Mizusako |
| Producer | Masahiro Kawaguchi |
| Production Manager | Tomohiro Umeyama |
| Director de producción | Eri Deguchi |
| Director de producción | Takuya Yamamoto |
| Director de producción | Kenta Ogiya |
| Bilingual Coordinator | Mayu Yamashita |
| PA | Jonathan Genki Fujimura |
| PA | Emi Ota |
| PA | Ami Uematsu |
| PA | Takaaki Yagi |
| Survey | Yasuhiro Kato |