Título | Duel |
Agencia | Bear Meets Eagle On Fire |
Campaña | Until Then |
Anunciante | IAG |
Marca | NRMA |
Fecha de primera difusión/publicación | 2022 |
Sector Empresarial | Seguros |
Medio | Televisión |
Duración | |
Productora | Revolver |
Responsable de la creación | Micah Walker |
Director creativo | Paul Gregson |
Director creativo | Ian Williamson |
Senior Producer | Emma Wright |
Managing Director | Toby Hussey |
Business Director | Hanne Haugen |
Strategist | Frank Bethel |
Realizador | Steve Rogers |
Productor ejecutivo | Michael Ritchie |
Executive Producer & Producer | Pip Smart |
Director de fotografía | Nicolas Karakatsanis |
Jefe de decorados | Steven Jones-Evans |
Diseñador | Joanna Mae Park |
Casting | Peta Einberg |
SFX Supervisor | Taj Trengrove |
Sound Executive Producer | Michael Gie |
Empresa de creación sonora | Rumble Studios |
Lead Sound Designer | Tone Aston |
Sound Designer | Cameron Milne |
Sound Designer | Liam Annert |
Sound Designer | Daniel William |
Compositor de música | Jeremy Richmond |
Montador | Elise Butt |
Editorial Producer | Michaela Fenton |
Editorial Company Executive Producer | Daniel Fry |
Productora | Sarah Polak |
VFX Supervisor | Sheldon Gardner |
CG Artist | Mike Battcock |
CG Artist | Bethan Williams |
CG Artist | Federico Vanone |
CG Artist | Frank Engen |
CG Artist | Ihor Obukhovskyi |
CG Artist | Nigel Timms |
CG Artist | Quentin Corker-Marin |
Compositing | Eleonora Laddago |
Compositing | Manolo Perez |
Compositing | Time Based Arts |
Compositing | Olivia O'Neil |
Compositing | Ralph Briscoe |
Compositing | Timo Huber |
Compositing | Viola Bascombe |
Colorista | Lewis Crossfield |
Color Assist | Sharn Talbot |
Color Assist | Max Ferguson-Hook |