| Título | IDFA 2021 Festival Trailer |
| Agencia | WE ARE Pi |
| Campaña | Perspectives Are Beautiful |
| Anunciante | IDFA |
| Marca | IDFA |
| Fecha de primera difusión/publicación | 2021 / 11 |
| Sector Empresarial | Ferias, eventos y festivales |
| Filosofía | World's leading independent documentary film festival,IDFA, launches ‘Perspectives Are Beautiful’, a campaign created by WE ARE Pi that uses stunning AI-powered artwork to celebrate how we all see documentaries differently. Created in-house by WE ARE Pi in collaboration with installation artists collective Circus Family, the campaign used a bespoke AI scanning algorithm to analyse documentaries being showcased at the 2021 festival and transform them into Rorschach-based art. We best know Rorschach as a psychological test where people are asked to examine inkblots and share their interpretation of what they see. Famously, people often see wildly different things in the same image. We wanted to take what people love and know about Rorschach art and use it in the context of film. Because much like viewing a film, there is never one perspective, but many. To create the campaign an AI parametric algorithm scanned the films colour brightness/luminance, duration, and location. The Data was then translated into ink patterns with a specially constructed robot that released the ink patterns into a tank of water. By mirroring these explosions of colour, the machine created stunning dynamic Rorschach Inkblots. In the campaign film, these explosions can be seen building up to a crescendo of visual splendour. The ‘Perspectives Are Beautiful’ campaign is a continuation of IDFA’s partnership with WE ARE Pi, and the film festival’s ambition to elevate its position as an artistic institution within the documentary space. It follows last year’s “Real Emotions. Real Film.”, which explored the beautiful range of human emotions by putting tears under the microscope. This year’s campaign rolls out in cinema, social, print, outdoor and PR. |
| Medio | Interactivo |
| Duración | |
| Mercado | Reino Unido |
| PR Film Music Track | Antfood |
| Head of Marketing Communications | Martine Van Duijn |
| Director artístico | Orwa Nyrabia |
| Festival Director | Cees van 't Hullenaar |
| Communications Coordinator | Marjolein Polder |
| Social Media Manager | Cengiz Can |
| Lead Designer | Kaz Salemink |
| Director ejecutivo de creación | Barney Hobson |
| Creative Lead | Kyle Foreman |
| Creative Lead | Jeena van der Heul |
| Design Director | Seth Josephs |
| Diseñador | Gemma Stoner |
| Production Director | Kim Buttery |
| Senior Producer | Ekaterina Golovkina |
| Head of Strategy | Mark Lester |
| Senior Strategist | Paris Bethel |
| Managing Director | Patrick Garvey |
| Chief Executive Officer (CEO) | Alex Bennett-Grant |
| Business Director | Agathe Derrstroff |
| Senior Account Director | Daniel Padwick |
| Responsable de cuentas de agencia | Slav Slavov |
| Business Affairs | Emilie Douque |
| Productora | Pi Studios |
| Director / DOP / Photographer / Editor | Richard Hu |
| Director de fotografía | Boje Pleog |
| Title | Nick Fatouris |
| Installation | Circus Family |
| Music & Sound Design | Soundsright |
| Compositor de música | Mari Koning |
| Compositor de música | Joshua Petit |
| Compositor de música | Jelle Hoebee |
| Music Producer | Marina Kagan |
| Postproducción | Tag Collective Arts |
| Post-production Producer | Philip Delaney |
| Flame Artist | James Mortner |
| Colorista | Alexandre Nerzic |
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