| Título | Food to Feel Good About |
| Campaña | Food to Feel Good About |
| Marca | Waitrose |
| Fecha de primera difusión/publicación | 2022 / 9 |
| Sector Empresarial | Grandes almacenes, supermercados |
| Medio | Televisión |
| Duración | |
| Banda Sonora | Come Ray and Come Charles / Michel Legrand |
| Productora | Hungry Man |
| Montaje | The Assembly Rooms |
| Audio Post Production | Factory Studios |
| Productora | Hungryman |
| Responsable de la creación | Richard Brim |
| Director ejecutivo de creación | Matt Gay |
| Director ejecutivo de creación | Feargal Ballance |
| Director creativo | Mark Shanley |
| Director creativo | Molly Wilkof |
| Productor de la agencia | Sally Patterson |
| Planner | Hugh de Winton |
| Planner | Shuhan Lee |
| Chief Executive Officer (CEO) | Tammy Einav |
| Managing Director | Paul Billingsley |
| Business Director | Loella Collier |
| Director de cuentas | Georgia Roca |
| Responsable de cuentas de agencia | Beth Bridgen |
| Designer / Typographer | Paul Knowles |
| Typography Design | King Henry Studio |
| Media Agency | Manning Gottlieb OMD |
| PR Agency | FINN Partners |
| Productor ejecutivo | Matt Buels |
| Productor | Chris McBride |
| Realizador | Bryan Buckley |
| Director de fotografía | Gary Shaw |
| Montador | Adam Spivey |
| Postproducción | Rascal |
| Post-production Producer | James Beck |
| VFX Supervisor | Andrew Wood |
| 2D Lead | Holly McLean |
| 2D Artist | Mikael Theander |
| 2D Artist | Ben Stonehouse |
| Colorista | Lewis Crossfield |
| Colorization | Time Based Arts, London |
| Music Supervision | Leland |
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