UPLIFTING ANTHEMS, TERRIFYING JOURNEYS, DRUGS AND COMPASSION – THIS SECTOR HAS SOMETHING FOR EVERYONE.
The singing vulvas were a sensational worldwide hit for Libresse and AMV.BBDO, disrupting convention and far outshining the competition in this sector. Having said that, Procter & Gamble made a good showing with three very different spots, for Old Spice, Vicks and Gillette. No surprise to see FCB and The Learning Corp here with the gripping animated spot ‘One Word’, or the epic Dollar Shave Club film. Newly legalised marijuana made an appearance thanks to director Spike Jonze and ‘The New Normal’. And the category wouldn’t be complete without Johnson & Johnson and its superb ‘5B’ film about the heroic nurses who helped patients face up to HIV and AIDS.
The singing vulvas were a sensational worldwide hit for Libresse and AMV.BBDO, disrupting convention and far outshining the competition in this sector. Having said that, Procter & Gamble made a good showing with three very different spots, for Old Spice, Vicks and Gillette. No surprise to see FCB and The Learning Corp here with the gripping animated spot ‘One Word’, or the epic Dollar Shave Club film. Newly legalised marijuana made an appearance thanks to director Spike Jonze and ‘The New Normal’. And the category wouldn’t be complete without Johnson & Johnson and its superb ‘5B’ film about the heroic nurses who helped patients face up to HIV and AIDS.
Most awarded
campaigns, brands &
agencies in
Health & Beauty in
2019
Most awarded
campaigns, brands and
agencies in
Health & Beauty in
2019
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Bodyform/Libresse | |
2 | L'Oréal | |
3 | Gillette | |
4 | Old Spice | |
5 | Shiseido |
AGENCIES
Name | ||
---|---|---|
1 | AMV BBDO, London | |
2 | McCann Paris, Neuilly sur Cedex | |
3 | Publicis Singapore | |
4 | Grey New York | |
5 | SHISEIDO CO., LTD., Tokyo |
Watch
1. Libresse / Viva la Vulva
Título | Viva la Vulva |
Agencia | AMV BBDO |
Campaña | Viva la Vulva |
Anunciante | Essity |
Marca | Libresse |
Fecha de primera difusión/publicación | 2018 / 11 |
Sector Empresarial | Higiene femenina |
Sinopsis | Instead of functional product ads that make women feel bad about their vulvas, this video aimed to make women feel good about them. Bypassing the restrictive regulations of traditional media, the joyful online video overturned the rules and attracted plenty of earned media. A celebratory anthem to women’s vulvas, Viva La Vulva was supported by a series of vulva-positive activations. The multi-channel approach challenged the media status quo and proved that there isn’t one perfect vulva, there are billions of them. |
Medio | Web Film |
Duración | |
Montaje | Trim Editing |
Producción de sonido | 750mph |
Realizador | Kim Gehrig |
Productora | Somesuch Somesuch |
Productor ejecutivo | Seth Wilson |
Productor de la productora | Lee Groombridge |
Casting | Leanne Flynn |
Cinematografia | Deepa Keshvala |
Wardrobe | Vanessa Coyle |
Jefe de decorados | Marie Lanna |
Montador | Elise Butt |
Postproducción | Time Based Arts, London |
Colorista | Simone Grattarola |
Efectos especiales | Stephen Grasso |
Efectos especiales | Francois Roisin |
Productor de la productora | Jo Gutteridge |
Motion Graphics | Tom Robinson |
Motion Graphics | Stephen Ross |
Nuke | Sarah Breakwell |
Nuke | Linda Cineiawska |
Nuke | Matt Shires |
Nuke | Bernardo Varela |
Nuke | Leandro Vazquez |
Nuke | Grant White |
Jamie Crofts | |
Adam Paterson | |
MANUEL PÉREZ DE CAMINO | |
Luke Todd | |
Leo Weston | |
Producción musical | Soundtree Music |
Music Supervision | Jay James |
Music Supervision | Hils Macdonald |
Music Supervision | Tom Kitson |
MUSIC Artist | Camille Yarbrough |
Music Producer | Peter Raeburn |
Music Producer | Luke Fabia |
Music Producer | Luis Almau |
Sound Designer | Sam Ashwell |
Director ejecutivo de creación | Alex Grieve |
Director ejecutivo de creación | Adrian Rossi |
Director creativo | Toby Allen |
Director creativo | Jim Hilson |
Director artístico | Diego Cardoso de Oliveira |
Responsable de conceptos / redactor | Caio Giannella |
Strategist | Margaux Revol |
Strategist | Alaina Crystal |
Strategist | Bridget Angear |
Agency TV Producer | Edwina Dennison |
Retocador | Happy Finish |
2. L’Oreal & British Vogue / The Non-Issue
Título | The Non-Issue |
Brief | One fashion magazine has always set the agenda: Vogue. L’Oreal Paris persuaded British Vogue to launch “The Non-Issue”. The magazine was classic Vogue, except its 80 pages were dedicated to women over 50. From actresses Jane Fonda and Helen Mirren to journalist Christiane Amanpour and comedienne Jennifer Saunders; every editorial, fashion shoot and advertisement challenged ageist stereotypes. Because age should be a "non-issue". The Vogue "non-issue" outsold the one featuring Rihanna on the cover. |
Agencia | McCann Paris |
Campaña | The Non-Issue |
Anunciante | Groupe l’Oréal |
Marca | L’Oreal & British Vogue |
Posted | Noviembre 2019 |
Sector Empresarial | Productos de belleza y perfumes |
Sinopsis | One magazine has always set that agenda; Vogue. The rule maker.L’oreal Paris persuaded British Vogue to launch “The Non-Issue” in the belief that age should not be an issue.It’s everything you expect from Vogue, only its 80 pages are dedicated to representing women over 50. From Jane Fonda and Helen Mirren, to the acclaimed correspondent Christiane Amanpour and talented comedienne Jennifer Saunders. Every editorial, fashion shoot and every single piece of advertising challenges ageist stereotypes and positively shapes our perception of age.Results:40, 000 new readers in just 2 weeks.90% positive social mentions of L’Oreal Paris.19 Million organic reach.More coverage than Vogue’s most successful September Issue featuring Rihanna. |
Problema | The fashion and beauty industries remain mostly youth-obsessed. Age discrimination in 2019 is still a problem. Nowhere is this age agenda more apparent than in magazines. It’s little wonder so many women of 50+ feel overlooked and invisible. |
Medio | Case Study |
Agency | McCann London |
Director ejecutivo de creación | Julien Calot |
Director creativo | Regan Warner |
Director ejecutivo de creación | Robert Brown |
Integrated Creative Director | Chad Warner |
President / Executive Creative Director | Riccardo Fregoso |
Creative President | Adrian Botan |
Beauty Team President | Charlotte Franceries |
President & Chief Creative Officer | Laurence Thomson |
President & Chief Creative Officer | Rob Doubal |
Creative Excellence Manager | Carmen Bistrian |
Head of Social Media | Pierre-Jean Bernard |
Global Account Director | Muriel Lapeyre |
Global Planning Director | Clement Fiorda |
Chief Strategy Officer | Harjot Singh |
Chief Production Officer | Sergio Lopez |
Planning Partner | Rose Van Orden |
Junior Planner | Joy Molan |
Managing Partner | Alison Webber |
Senior Account Manager | Beth Kodjer |
Project Director | Louise Hawthornthwaite |
Productor | Serena Moll |
Realizador | Ben Twiston Davies |
Montador | Matt Dollings |
Montador | Sabina Dalu |
Director artístico | Adrien Simonnet |
Art Director Assistant | Valentin Crespo |
Global Brand President | Pierre-Emmanuel Angeloglou |
Managing Director | Adrien Koskas |
General Manager | Karen Jones |
Creative Strategy | Ginevra Capece Galeota |
AR/VR Business Development Facebook | Christopher Price |
3. Old Spice / Endless Commercial
Título | Endless Commercial |
Título (Lengua original) | O Filme Infinito |
Agencia | Wieden + Kennedy |
Campaña | Endless Commercial |
Anunciante | Procter & Gamble |
Marca | Old Spice |
Fecha de primera difusión/publicación | 2019 / 2 |
Sector Empresarial | Desodorantes |
Filosofía | Wieden + Kennedy São Paulo and Old Spice created the first endless spot of history: one commercial, inside another and another, that turns into an endless ad. The video will be on air for eternity at www.ocomercialinfinito.com.br. Ventured, the brand of deodorants, aired the film for 14 hours at Woohoo channel, becoming longest campaign in television history. The record-breaking granted the client and the agency into Guiness Book of Records. The film titled "O filme Infinito" (Endless commercial) features the participation of actor and brand ambassador Terry Crews and promises to make lots of laughs from viewers. In addition to the complete film, six drops were produced to support on digital channels and TV. A 2min version and 15 " were aired in different TV Channels. The campaign will be exported and replicated throughout Latin America and Mexico. |
Medio | Televisión y Cine |
Duración | |
Más información | www.ocomercialinfinito.com.br |
Responsable de conceptos / redactor | Rafael Melo |
Director artístico | Felipe Paiva |
Director artístico | Jose Ferraz |
Productor de la productora | Regiani Pettinelli |
Productor de la productora | Fernanda Moura |
Productor de la productora | Jin Park |
Director ejecutivo de creación | Eduardo Lima |
Director ejecutivo de creación | Renato Simões |
Director creativo | Bruno Oppido |
Director creativo | Caio Mattoso |
Director creativo | Rodrigo Mendes |
Productor digital | Mauricio Junior |
Productor digital | Ricardo Barbin |
Supervisor de arte | Bruno Oppido |
Responsable de cuentas de agencia | Isabel Rudge |
Responsable de cuentas de agencia | Bruno Capasso |
Director de publicidad | Isabel Pimentel |
Director de publicidad | Clarissa Cayedo |
Director de publicidad | Vitor Fernandes |
Director de publicidad | Alan Chernovetzky |
Director de publicidad | Natalia Passarinho |
Planificador estratégico | Gui Pasculli |
Planificador estratégico | marcelo chabes |
Planificador estratégico | Thiago Luan |
Planificador estratégico | Henrique Kobayashi |
Planificador estratégico | Felipe Zyman Mídia |
Planificador estratégico | Caio Melo |
Planificador estratégico | Guilherme Salgueiro |
Planificador estratégico | Liese Lemee |
Productora | Conspiração Filmes |
Realizador | Fernando Nogari |
4. Vicks / Every Child Deserves the #Touchofcare - One in a Million
Título | Every Child Deserves the #Touchofcare - One in a Million |
Agencia | Publicis Singapore |
Campaña | #TouchOfCare |
Anunciante | Procter & Gamble |
Marca | Vicks |
Fecha de primera difusión/publicación | 2018 / 10 |
Sector Empresarial | Medicamentos |
Medio | Televisión |
Duración | |
Marketing Manager | Ritu Mittal |
Responsable de la creación | Ajay Thrivikraman |
Productor de la agencia | Lolita Ham |
Productor de la agencia | Deepa Limaye |
Brand Director | Maithreyi Jagannathan |
Responsable de cuentas de agencia | Natalie VanderVorst |
Responsable de cuentas de agencia | Prachi Partagalkar |
Responsable de cuentas de agencia | Jessica Geli |
Responsable de cuentas de agencia | Maninder Bali |
Productora | OffRoad Films |
Realizador | Anand Gandhi |
5. The Learning Corp / One Word film
Título | One Word film |
Agencia | Area 23, An IPG Health Company |
Campaña | ONE WORD |
Anunciante | The learning corp |
Marca | The Learning Corp |
Fecha de primera difusión/publicación | 2019 / 4 |
Producto | Constant Therapy |
Sector Empresarial | Hospitales & Clínicas |
Sinopsis | The Constant Therapy app is administered by neurologists and speech pathologists as an FDA-cleared treatment for aphasia (loss of speech) due to brain injury. In the film, we follow the intense struggle of a single word, “baby,” fighting to get out of a decaying landscape that represents the damaged brain. The baby has to contend with enemies that reflect the pathology of aphasia. Those obstacles include other words that start with B (letter block, bear, bee, etc.); memories you might associate with the word “baby” (baby food, baby monitor); and convenient synonyms for the word “baby” (honey, sweetheart, cupcake, sugar pie). Ultimately, the baby is able to get out. We end the film showing a woman with a brain injury successfully saying the word, baby, thanks to her Constant Therapy app. Every scene is based on the real experiences of Mary, a brain injury patient, and Emily Dubas, her speech language pathologist. |
Medio | Televisión |
Duración | |
Chief Creative Officer | Tim Hawkey |
Worldwide Creative Partner | Fred Levron |
Executive Creative Director | Elliot Langerman |
Group Creative Director | David Adler, SVP |
Group Creative Director | Jason Graff, EVP |
Associate Creative Director | Larry Kirschner, VP |
Associate Creative Director | Guy Mannshardt, VP |
Art Supervisor | Christian Louzado |
Executive Producer | Bernardo Romero |
Senior Broadcast Producer | Anna Lopez, VP |
Senior Producer | Anthony Ramirez |
Animator | Effraim Klein, Editor |
Editor | Scott Ham |
Editor | Courtney Collins |
Graphics | David Tiernan |
Creative Director | Rafael Vallperde |
Animator | Kawe se Sa |
Director of Production | Stefani Pimenta |
Producer | Krystal Leasure |
Co-Founder/Audio Director | Lucas Sfair |
Co-Founder/Creative Director | Felipe Resende |
Composer/Producer | Edu Karas |
Composer/Mix/Master | Levi Mynssen |
Sound Design | Pedro Osinski |
Sound Design | Gui Moreno |
6. Dollar Shave Club / Get Ready
Título | Get Ready |
Campaña | Get Ready |
Anunciante | Unilever |
Marca | Dollar Shave Club |
Fecha de primera difusión/publicación | 2018 / 7 |
Sector Empresarial | Salud, higiene y productos farmacéuticos |
Medio | Web Film |
Duración | |
Chief Executive Officer (CEO) | Michael Dubin |
Chief of Staff | Kristina Kovacs |
Chief Digital Officer | Alan Wizemann |
Brand Communications | Raechelle Hoki |
Director medios comunicación | Sam Kang |
Acquisition | Sam Kang |
Consumer | Kristina Cole |
Corporate Communications | Kristina Cole |
General Counsel | Allison Buchner |
Corporate Counsel | Brenna Terry |
Director of Media | Ranil Wiratunga |
Director of Acquisitions | Ranil Wiratunga |
Senior Manager of Mass Media | Katie Jokipii |
Senior Manager of Acquisitions | Katie Jokipii |
Marketing Manager | Whitney Bonrud |
Content | Whitney Bonrud |
Social | Whitney Bonrud |
Social Media Marketing Coordinator | Alexandra Benson |
Agency | Dollar Shave Club In-House |
Director ejecutivo de creación | Alec Brownstein |
Vice President of Creative | Alec Brownstein |
Director ejecutivo de creación | Matt Knapp |
Vice President of Creative | Matt Knapp |
Director creativo | Matt Orser |
Director artístico | Matt Orser |
Director creativo | Aron Fried |
Responsable de conceptos / redactor | Aron Fried |
Productor ejecutivo | Matt Sausmer |
Productor de la productora | Matt Sausmer |
Director of Creative Operations | Carly Jansen |
Director de fotografía | Peter Quinn |
Director of Motion | Peter Quinn |
Productor digital | Noelle Nimrichter |
Fotógrafo | Pip Cowley |
Behind-the-Scenes Videographer | Shimmy Boyle |
Digital Product Design | David Kujda |
Principal Designer | Marcus Silva |
Diseñador multimedia | Rocky Ponce |
Diseñador | Elodie Blakely |
Productora | MJZ |
Realizador | Steve Ayson |
Director de fotografía | Greig Fraser |
President | David Zander |
Productor ejecutivo | Emma Wilcockson |
Productor de la productora | Laurie Boccaccio |
Montaje | Final Cut |
Montador | Jeff Buchanan |
Assistant Editor | Eileen Miraglia |
Productor ejecutivo | Suzy Ramirez |
Productor de la productora | Ana Orrach |
Efectos especiales | The Mill |
Director creativo | John Leonti |
2D Lead | Adam Lambert |
Productor ejecutivo | Anastasia Von Rahl |
Senior Producer | Jacklyn Ramirez |
Telecine | Company 3 |
Colorista | Stefan Sonnenfeld |
Senior Producer | Katie Andrews |
Global Executive Producer | Ashley McKim |
Type Design | Logan |
Diseño imagen | Logan |
Music Supervision | Good Ear |
Music Production Manager | Genevieve Vincent |
Music Production Manager | Judson Crane |
Audio Post Studio | Formosa Group |
Mixer | John Bolen |
Productor ejecutivo | Lauren Cascio |
7. Medmen / The New Normal
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Título | The New Normal |
Agencia | Mekanism |
Campaña | The New Normal |
Anunciante | Medmen |
Marca | Medmen |
Fecha de primera difusión/publicación | 2019 / 2 |
Sector Empresarial | Salud y productos farmacéuticos |
Medio | Televisión |
Duración | |
Montaje | Final Cut |
Realizador | Spike Jonze |
Actor /Celebridad | Jesse Williams |
Cinematografia | Bradford Young |
Jefe de decorados | James Chinlund |
Compositor de música | Frank Dukes |
Wardrobe | Jennifer Johnson |
Director creativo | Tommy Means |
Productor ejecutivo | Andrew Modlin |
Productor ejecutivo | Adam Bierman |
Productor de la productora | Amanda Adelson |
Productor de la productora | Laura Klein |
Productor de la productora | Emily Skinner |
Productor de la productora | Eriks Krumins |
Productor de la agencia | Annie Uzdavinis |
Montador | Joe Guest |
Assistant Editor | Dillon Stoneburner |
Efectos especiales | K. Alexander Thomas |
Colorista | Beau Leon |
Sound Engineer | John Bolen |
Sonido | Formosa Sound |
VFX Company | Framestore LA |
Productora | MJZ |
8. Shiseido / The Party Bus
Título | The Party Bus |
Agencia | Shiseido Creative Division |
Campaña | The Party Bus |
Anunciante | Shiseido |
Marca | Shiseido |
Fecha de primera difusión/publicación | 2018 / 10 |
Sector Empresarial | Maquillaje |
Lema | Make Up your own story |
Sinopsis | A costume party is in full flow on a bus rolling through the night. A girl disguised as Princess Kaguya is torn between her jealous boyfriend and a mysterious suitor. Finally she makes a decision, and jumps off the bus to join her new lover. Containing elements of drama, animation and dance, the extraordinary fairy tale is an ode to the power of make-up. |
Medio | Web Film |
Duración | |
Mercado | Japón |
Realizador | Show Yanagisawa |
Director creativo | Masoto Kosakawa |
Productora | Towerfilm |
Postproducción | Digital Eggs |
Postproducción | My Working |
9. Gillette / We Believe
Título | We Believe |
Agencia | Grey New York |
Campaña | The Best A Man Can Get 2019 |
Anunciante | Procter & Gamble |
Marca | Gillette |
Fecha de primera difusión/publicación | 2019 / 1 |
Sector Empresarial | Afeitado y depilación |
Medio | Televisión |
Duración | |
Banda Sonora | Reach Out |
Efectos especiales | MPC NY |
Worldwide Chief Creative Officer | John Patroulis |
Deputy Chief Creative Officer | Jeff Stamp |
Director ejecutivo de creación | Joe Mongognia |
Director del grupo de creación | Asan Aslam |
Productora | Somesuch |
Realizador | Kim Gehrig |
Director creativo | Patrick Conlon |
Director de fotografía | Adam Arkapaw |
Productor ejecutivo | Nicky Barnes |
Montaje | Cosmo Street |
Montador | Joshua Berger |
Montador | Tom Lindsay |
Lead VFX | Thiago Porto |
Colorista | Mark Gethin |
Audio Post Production | Heard City |
Sound Engineer | Keith Reynaud |
Música | Future Perfect Music |
10. Johnson & johnson / 5b
Título | 5b |
Campaña | 5b |
Anunciante | Johnson & Johnson |
Marca | Johnson & johnson |
Posted | Junio 2019 |
Sector Empresarial | Salud, higiene y productos farmacéuticos |
Sinopsis | A Johnson & Johnson-commissioned documentary about heroic nurses in the early days of AIDS. “5B” is the story of nurses at San Francisco General who devoted themselves to HIV patients in the 1980s. Made by UM Studios New York, Highway 61 Films and production company Saville, it’s based on resurfaced records of people who were nursed in one ward, 5B, at the dawn of the AIDS epidemic before much was known about the disease, and connects J&J’s brand focus on “care” and “touch” with how nurses cared for the patients |
Medio | Televisión y Cine |
Duración | |
Realizador | Dan Krauss |
Productora | UM Studios |
11. GSK Glaxosmithkline / Breath of life
Título | Breath of life |
Brief | GlaxoSmithKline created the first ever COPD self-testing tool in collaboration with a renowned Pulmonologist and a popular Chinese blowing-ink artist. Smartphone users start by picking a tree style and flower color. When a deep breath is forcefully exhaled, the microphone records the sound of breath to produce a sound wave ౼ which is represented by an artistic tree. Users with poor results are encouraged to undergo a hospital check-up and hopefully diagnose COPD early on. |
Agencia | McCann Health |
Campaña | Breath of life |
Anunciante | GlaxoSmithKline |
Marca | GSK Glaxosmithkline |
Fecha de primera difusión/publicación | 2019 / 6 |
Sector Empresarial | Salud y productos farmacéuticos |
Sinopsis | Chronic obstructive pulmonary disease awareness (copd) |
Medio | Interactivo |
Duración | |
VP,Head of Innovation Products BU, GSK China | Siyuan Chen |
President, McCann Health Greater China | Connie Lo |
Global Chief Creative Officer,McCann Health Global | Matt Eastwood |
Executive Creative Director,McCann Health Shanghai | Wendy Chan |
Associate Creative Director,McCann Health Shanghai | Samson Du |
Senior Art Director,McCann Health Shanghai | Yinhao Wang |
Copy Writer,McCann Health Shanghai | Dagger Chen |
Business Director,McCann Health Shanghai | Laura Zhou |
Senior Account Manager,McCann Health | Beverly Biao |
Chief Strategy Officer, McCann HealthGreater China | Henry Shen |
Planning Director, RX, McCann Health Greater China | Sengupta, Prithviraj |
Deputy Operation Director,McCann Health Shanghai | Andy Lin |
Creative Service Manager,McCann Health Shanghai | Lulu Zhang |
Content Manager,Craft Shanghai | Robin Shen |
Editor,Craft Shanghai | Annie Fang |
Backend Developer,Craft Shanghai | Taylor Li |
12. Gillette / We Believe: The Best Men Can Be
Título | We Believe: The Best Men Can Be |
Agencia | Grey New York |
Campaña | We Believe: The Best Men Can Be |
Anunciante | Procter & Gamble |
Marca | Gillette |
Posted | Abril 2019 |
Sector Empresarial | Salud, higiene y productos farmacéuticos |
Medio | Web Film |
Duración |
13. Saforelle / THE MISSING PAGE
Título | THE MISSING PAGE |
Brief | In France, even today, no single biology and science schoolbook accurately represents female genitals, which is strangely not the case when it comes to the male body. In order to put this right, the agency created The Missing Page. Unlike in French schoolbooks, The Missing Page fully represents women's anatomy, including the clitoris and its role in sexuality and a detailed external view of the vulva. Thanks to its adhesive system, teenagers can now easily paste The Missing Page into their schoolbooks in order to be properly educated. |
Agencia | Serviceplan Group France |
Campaña | The Missing Page |
Anunciante | Laboratoires IPRAD |
Marca | Saforelle |
Posted | Noviembre 2019 |
Sector Empresarial | Higiene femenina |
Sinopsis | Creative idea : Still in France, in 2019, contrary to men's sex anatomy, no single Biology & Science schoolbook totally represent female genitals. The clitoris is either absent or incorrectly or partially illustrated. In addition, most manuals do not provide an external view of the female genitalia. The clitoris is either absent or incorrectly or partially illustrated. In addition, most manuals do not provide an external view of the female genitalia. A question then arises: how to take care of your privacy if you don't know it? Since none Science & Biology schoolbook completely represents the female anatomy, the agency created The Missing Page. Unlike all French schoolbooks, The Missing Page fully represents female sex anatomy including clitoris’ complete anatomy, it’s role in sexuality and the vulva’s detailed external view. Thanks to it’s adhesive system, teenagers can paste The Missing Page in their schoolbooks in order to learn correct women anatomy. Execution : The Missing Page was launched both offline and online: - Offline, The Missing Page has been published in French youth press, and distributed through a street marketing campaign to teenagers in major French cities. - Online, with a digital film in which mothers and their 16-year-old daughters participated in an educational experience: confronted with a female gender pattern without any legend and to be completed, the majority of them hesitate, make mistakes while also sharing moments of complicity. This online video was shortcut and broadcast through a preroll campaign that directed to the website where teenagers, teachers or any person who wish to get The Missing Page could order or download it. Thousands of "Missing Page" which could be stuck over any incorrect page in science manuals were finally printed and distributed. |
Problema | Saforelle, a brand of products and treatments for women's intimate and personal hygiene, asked the agency to help them increasing their reputation, and the brief was simple: please create an activation for International Women's Day which is happening on 8th March 2019. Then, our objective was to transform a simple activation into a global campaign that could be a game changer for our client. Therefore we convinced them to go on a committed campaign that could help French society become more inclusive and equal. Following this advice, Saforelle has decided to reduce inequalities in sex education. |
Medio | Case Study |
Responsable de la creación | Fabien Teichner |
Responsable de la creación | Dimitri Guerassimov |
Director creativo | Mathieu Membré |
Responsable de conceptos / redactor | Chloe Rosiaux |
Director artístico | Véronique Erb |
Director artístico | Tram-Anh Nguyen |
Director artístico | Astrid Pinon |
Director de publicidad | Aurélie Defrance |
Director de publicidad | Eric Panijel |
Director de publicidad | Céline Samama |
Director de publicidad | Nadège Alves |
Director de publicidad | Quentin Dagusé |
Director de publicidad | Claire Lapeyronie |
Director de publicidad | Pétronille Lombart |
Responsable de cuentas de agencia | Benjamin Chevrier |
Responsable de cuentas de agencia | Helène Jamin |
Responsable de cuentas de agencia | Marine Moreau |
Realizador | Sarah Hafner |
Productora | Muscle |
Agency TV Producer | Frank Willocq |
14. Skyn Condoms / Baby Blocker
Título | Baby Blocker |
Brief | It's not easy to convince millennials to use condoms. Scare tactics about diseases don’t work. So instead they were reminded about another potential consequence: an unwanted baby. "The Baby Blocker", a Google Chrome extension for Facebook, blocks baby photos on your newsfeed and swaps them for stuff you’re actually interested in. It tracks how many babies you’ve blocked in real time and lets you share the extension with your friends. To get the world talking about it, the launch was timed with the most high profile birth of the year: Prince Harry and Megan Markle’s bundle of joy. |
Agencia | McCann Manchester |
Campaña | Baby Blocker |
Anunciante | Skyn Condoms |
Marca | Skyn Condoms |
Posted | Noviembre 2019 |
Sector Empresarial | Contraceptivos, preservativos y tests de embarazo |
Sinopsis | Scare tactics highlighting the consequences of unprotected sex doesn’t work with millennials. So we needed to engage with them in a fun and relevant way. How? By creating ‘The Baby Blocker.’ It’s a Google Chrome extension for Facebook that blocks baby photos and swaps them for things you’re actually interested in. |
Medio | Interactivo |
Director ejecutivo de creación | Dave Price |
Director creativo | Neil Lancaster |
Responsable de conceptos / redactor | Rob Gorton |
Director artístico | Brendan Shryane |
Director técnico | Adam Prendergast |
Interactive Developer | Jo Portus |
Director de cuentas | Rebecca Ziantoni |
Business Development | Theo Bassey |
Diseñador | Abbie Franks |
Diseño digital | Liam Roughley |
Senior Producer | Kal Tank |
Montador | Matt McHugh |
Montador | Camille Gabayet |
Digital Content | Kevin Burrows |
Frontend Developer | Jonathan Baines |
Head of Post Production | Rob Brown |
Director of PR & Social | Robin Wilson |
Group PR Account Director | Tom Cummings |
Senior PR Account Manager | Harriet Williams |
Senior Social & Content AD | Luke Taylor |
Social Media Manager | Sebastian Tully-Middleton |
Senior Planner | Luke Kelly |
15. Stayfree / Project Free Period
Título | Project Free Period |
Agencia | DDB Mudra |
Campaña | Project Free Period |
Anunciante | Johnson & Johnson |
Marca | Stayfree |
Posted | Agosto 2018 |
Sector Empresarial | Salud, higiene y productos farmacéuticos |
Sinopsis | There’s nothing good that comes to mind when you think of periods. Even more so, in India. Here, girls drop out of school at the onset of periods. Women on their period are considered impure and disallowed entry into temples or even their own kitchens. It’s all of this that continues to drag the topic of periods deeper into the dark corners of society.;Stayfree, a leading sanitary brand, is committed to changing the perceptions and behaviour around periods. And we believe the only way to make society more comfortable about this topic is to keep sparking different conversations around this taboo subject.;And that’s what drew our attention to these women in the sex trade. While periods, for them, came with the same set of biological inconveniences, they actually looked forward to it. Because it was the only time of the month where they couldn’t be forced to work. |
Medio | Interactivo |
Duración | |
Más información | https://www.lovethework.com/entries/510186 |
National Creative Director | Rahul Mathew |
Group Managing Director | Aditya Kanthy |
Chief Creative Technologist | Brijesh Jacob |
Executive Creative Director | Shagun Seda Sengupta |
Executive Creative Director | Kapil Tammal |
Global Business Director | Kim Das |
Senior Art Director & Copywriter | Sharad Das Gupta |
Copywriter | Aashna Gopalkrishnan |
Art Director | Faraaz Ansari |
Group Head | Vinay Singh |
Group Head | Lalit Sakurkar |
Senior Strategy Director | Toru Jhaveri |
Senior Strategist | Sanchari Chakrabarty |
Strategist | Natasha Bohra |
Strategist | Anushka Gilani |
Executive Director | Rajiv Sabnis |
Associate Vice President - Brand Engagement | Nikita Tambay |
Associate Vice President - Brand Engagement | Vinisha P |
Manager Brand Solutions | Megha Jaiswal |
Manager Brand Solutions | Megha Sharma |
Manager Brand Solutions | Sayali Kolge |
Executive Brand Solutions | Qaid Vora |
Films | Chandana Bannikoppa |
Films | Ganesh Pawal |
Films Head | Vishal Sane |
DOP | Himmat Singh Shekhawat |
Manager - Corporate Communication & PR | Akanksha Mishra |
Executive - Corporate Communication & PR | Darshani Jawale |
Entrant Company | DDB MUDRA GROUP |
Idea Creation | DDB MUDRA GROUP |
Additional Company | MOTHERSHIP PRODUCTIONS |
Additional Company | PRERANA ANTI-TRAFFICKING |